Milan Design Week 2021: spectacular installation by Hermès, digital art by Nilufar and decidedly irreverent lunch

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This week, the AD PRO team teamed up with our friends at AD Italy to do a field report at Milan Design Week and Mobile Fair, in their first editions since 2019. Below, the Italian editorial staff recapitulates the second day of festivities. This article originally appeared on AD Italy.

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There is an air of vacation, but the pace is lively. The queues are back for the featured exhibitions (we had forgotten them). Design Week insiders (among others) share tips on their must-haves, and so do we. Here are our highlights from Day 2, seen and endorsed by A D.

“What do I like this design week? There is a rediscovered human warmth, ”says Luca Nichetto, sipping an espresso at 10 am. Just outside are the windows of the Hermès store, a theater filled with mythological quotes created by the designer himself: fashion is fascinated by design’s ability to imagine new worlds. Meanwhile, in the streets and exhibition halls, many visitors looking for ideas (some even wearing Bermuda shorts and cool tans, it’s early September!) Are adding to the buzz around the event. ‘event. The quest for beauty has just begun.

By Nina (Yashar), the lady of design

At the gates of Milan, in a former industrial space, is Nilufar Depot, the XL exhibition space for an unmissable show. The central space is populated by the artist Pietro Consagra Matacubi functional sculptures (they can be used as benches) made from 1985; in the basement, “neo-Tiki” furniture by Khaled El Mays interacts vividly with textile frescoes by Federica Perazzoli. On the other floors, there is a formidable mix of avant-garde and masters of the past. And at the top of the building is a space dedicated to the rising star of 3D design, Andrés Reisinger.

Bold Chair (Odyssey) by Andrés Reisinger.

With Raawii by Omar Sosa and Kvadrat by Peter Saville, the design is unconventional

If there is one thing that unites Omar Sosa, founder of the magazine Apartment, with Peter Saville, creator of memorable album covers like Joy Division’s Unknown pleasuresis that both come from the world of graphic design, and today they are making their debut as product designers. Saville’s collaborations with Kvadrat for the Technicolor textile collection inspired by the fleeces of sheep from the English countryside and the stackable Raawii ceramics by Sosa represent a different way of thinking about design that opens up new creative horizons.


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